The basic idea of this definition is based on the rhythm. I dealt with rhythm, music and melody intensively since 1986.

 

At this very year I started in the Bezirksnusikschule Georg Philipp Telemann in Magdeburg. By the way, as I lost my school report recently, they not even wanted me to proof my scholarship at their facility. Fortunately, it was found and sent back to me by mail.

 

As I said, the basic idea of this is the rhythm. 

 

So if you had just three strokes to play, and this three should being a triplet what could you do. 

 

Let me tell. The only way to play the triplet (each triplet), if you were allowed for three hits only, is with one hand. Of course, this is according to the same finger too, but for the reason I play drums I ever refer to hand settings instead of finger sets.

 

Everyone that is involved will, after checking this, have to verify the above statement. 

 

The Rolling Stones Song "Sleep Tonight" on the Dirty Work CD almost killed me to the way to it. So don't play around with them. 

 

The question now is, how can this be. I have after intensive thinking of course this one answer.

The human biology which I see as cohering of the spirit and the body only is able to recognize existence in two structures. The first basic existence is mass as single particles itself, the second was mass existing as waves or swings. The difference is the mass would have a weight in gravity, mass as swings will not. 

 

But basically you need to have one out of this two to be able to give it a name and to start thinking about and even the conversation.

 

These definition is, by the way, supported as I think trough the fact of two different kinds of rhythms that are existing, basically. One, the normal ,maybe straight rhythm, the other the figures, Triplets, Sechstolen ( I haven't seen the correct English translation for it, jet- is it sixtuplet?), and a further full doubling of the Sechstole - sixtuplet. 

 

But, these two rhythms, are there, like the two options of existence. I really lost the thread now a bit.

 

What I wanted to type, Ah, yes. 

 

Mass I think everyone really can imagine. is likely to make atoms from. These masses, I do not talk about atoms but masses that are in a subatomic stadium as you want, have not got a pre - programmed behavior of what was if they would collide to an other mass that was smaller, bigger or even the same size as they are be themselves. 

But, therefore the nature has got the same shape (on earth as in space, but separated for each being of nature in this sample), masses would not breaking apart each time they would meeting each other.

 

There really needs to be something to happen between them. That what will be is in the rhythm. 

 

You have on the one side four notes (fourth) that arose out of the full note, you could even taking here sixteenth (four of the out of one fourth). It's only to fulfill the number four in math and the position which it is on at the scale. You have than six notes which do cohering as Sechstole - (sextuplet?). Here only the six as number is meant which is fulfilled as position even; different?, yes butt six. There is a gap between, right? This is the first time in rhythm you would see those gap. This gap is the five which normally need to be there. In times as I went to music school this was seen a bit different, but this time they stated , communism would win, too. As I said try as hard as you want there is no place hat is this five fully. Of course you could play five out of six butt needed one rest. Five is not there fully. It is not kept by rhythm not reached if you want butt needs to be there, course it has got four before and six beyond.

 

Nonetheless, this gaps are being there ever in rhythm, I mean. I always thought what could this gaps be like. They are not there in this art in math for example.

 

And Plus you have four (4), you have six (6) as the end, butt the space between them five (5) is missing.  

 

I mean there is no figure or developed rhythm displaying five strokes. I was taught you would be able to play seven in a figure like a triplet or a Sechstole. This but I excluded for the lack of the developing out of the full note or the doubling of a figure. It is not applicable and not needed cause there are enough options which do jet expressing all you could play.

 

As I mentioned before this gaps that you have digits but non rhythmical coherings are there more often than in this case with the five (5), but, this position, when you got rhythm so clear you could sheet - play is the first time it occurs.

 

So, what could have happen there in nature. When I go back here to the mass, existent as particles, that where mentioned in the document above, these masses had to move like the figures. Masses existent as swings will not allow any statement. When there was a four forth measure and two halve notes in it, this is good to be played. You can do with one halve what you want even on the way down. Meaning, break one halve into two fourth and you still will be able to play this. The fourth breakable here again. You of course I mean could write figures here, but would loose the origin. This than was bad for the sample. In a figure lets say even in a four fourth tact, a eight triplet starting fore you could never ever play a sixteenth in it, in the figure. It even could. not come in theoretically. 

 

Wherefrom seen from the possible application should such a, I here formally point to that I never have, have not and never will have done such a run in the intonation, course coming from? Folks that might have followed this hole issue will have noticed, I see the basic options of the finger eg. hand sets as the trigger for the reocognization of rhythm. Not the definition of it but recognising. The express what hands or feet could do the same notes are taken. For them who concealed themselves here.   

 

Lets consider here what is when the masses meet. The masses, and I think both, have to stay in the shape as masses as single particles. the could here give up a specific amount of mass or volume which is not important or what was watched, but have to remain particles. They could even give up more so the experiment has failed or begun. Butt here so they will remain existent as single masses basically. The area on both masses, if it be just two, which contacting will mix up. The bigger part butt stays out and still is individual when the intermixture is. One has to get this as the dominate areas of interest, I think. This is valid equal on both particles. This place self can not be as individual as the two particles at a time because it is made out of an existence that not is prepared for those moments, those events. It tries to connect to it's origin but must fail until it can flowing back to where it came from. The material id not belonging to each other there and will split. The rhythm the triplet is not to combine with notes under it's name. This rhythm, the figure like run, here is the standard that has to be kept linked to the existence at a time. You can not go on her either theoretically or practically but have to try and to apply this to make experiences. It is to broaden theoretically and practically further than to apply or even for trying out.  

 

Remain, I'm not talking about the moment molecules would form!

 

 

 

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